Acclaimed Civil War photographer Mathew Brady first focused on celebrities—including Dartmouth dignitaries of his era.
APRIL 2025Acclaimed Civil War photographer Mathew Brady first focused on celebrities—including Dartmouth dignitaries of his era.
APRIL 2025“Black Dan” had been summoned. Or at least invited. And so Daniel Webster, class of 1801, found himself heading down Broadway to the New York City studio of photographer Mathew Brady in June 1849. Webster, then a senator from Massachusetts, was about to become the latest dignitary to formally pose for Brady, who had already captured daguerreotypes of each justice of the U.S. Supreme Court and several members of Congress.
The cameraman found the great orator somewhat theatrical, according to Brady biographer Robert Wilson. He reports that Webster wore an “attention-getting blue coat with gleaming gold buttons” and spoke with his usual eloquence as he took a seat under the studio skylight: “Use me as the potter would clay, Mr. Brady.”
Five lengthy exposures later—each one required several long minutes of absolute stillness—the session ended.
Brady later remembered that Webster “had a grave, noble, dignified face, large, luminous dark eyes full of lustre, and a high, broad forehead.” The image appeared in Brady’s 1850 portrait collection, The Gallery of Illustrious Americans.
Brady later became known as the father of photojournalism for his Civil War battlefield images. He and his team also took more portraits, including 18 presidents, many war officers, and at least 10 prominent Dartmouth alums—the College’s own Brady Bunch. Thanks to the magic of artist Sanna Dullaway, they appear here in color for the first time.
Daniel Webster (1782-1852)
“Sir, you may destroy this little institution; it is weak, it is in your hands! I know it is one of the lesser lights in the literary horizon of our country. You may put it out! But, if you do so, you must carry through your work! You must extinguish, one after another, all those greater lights of science which, for more than a century, have thrown their radiance over our land! It is, Sir, as I have said, a small College. And yet there are those who love it.”
Class of 1801 Daniel Webster
Amos Kendall (1789-1869)
“On the whole, if there is more extravagance, folly, and corruption anywhere in the world than in this city [Washington, D.C.], I do not wish to see that place.”
Class of 1811 Amos Kendall
Thaddeus Stevens (1792-1868)
Class of 1814 Thaddeus Stevens
George Perkins Marsh (1801-1882)
“Sight is a faculty; seeing, an art.”
Class of 1820 George Perkins Marsh
Salmon P. Chase (1808-1873)
Class of 1826 Salmon P. Chase
Daniel Clark (1809-1891)
Class of 1834 Daniel Clark
James Wilson Grimes (1816-1872)
“It is money that achieves success ... nowadays. Thank God, my political career ended with the beginning of this corrupt political era.”
Class of 1836 James Wilson Grimes
Gilman Marston (1811-1890)
“If these doctors try to cut off my arm, shoot them. I want to sleep.”
Class of 1837 Gilman Marston
Amos Akerman (1821-1880)
Class of 1842 Amos Akerman
James Willis Patterson (1823-1893)
“When power flows back into the hands of the people it only returns to its original and rightful source; but when it passes up into the hands of a usurper, the reign of despotism is inaugurated.”
Class of 1848 James Willis Patterson
Compiled by Fatemah Ebrahim ’26, Joanna Jou ’26, and Leila Brady ’27.
Photographs from the Library of Congress and the U.S. National Archives; colorization by Sanna Dullaway