Before he found fame as a children’s writer, Dr. Seuss drew a unique brand of political cartoons exhorting the country to do battle with Hitler.
April 2000Before he found fame as a children’s writer, Dr. Seuss drew a unique brand of political cartoons exhorting the country to do battle with Hitler.
April 2000Imagine Yertle the Turtle and Horton the
elephant up in arms over Hitler and Mussolini.
Actually, there’s no need to use your imagination. Theodor Seuss Geisel ’25. aka
Dr. Seuss , drew hundreds of
such images during the
early part of World War
II for the New York City newspaper PM. Long forgotten,
some 200 of the
impassioned political cartoons
have been collected
in a new book, Dr. Seuss
Goes to War by University
of Massachusetts history professor Richard
Minear (The New Press. $25). For Seuss fans
the cartoons have a familiar look. But they
were well ahead of their time, writes cartoonist
Art Spiegelman in the book’s introduction, “in
seeking to entertain as ell as convince.”
By 1941 Seuss was established as a commercial artist. He wasn’t yet known as a children's writer (Seuss had published his firstChildren's book And to Think That I Saw It On Mulberry Street in 1937 but only after first receiving more than two dozen rejection letters). His strong personal views about the war in Europeled him to send an unsolicited cartoon to PM, a left-wing daily, In January of 1941 Editor Ralph Ingersoll accepted the submission, and for the next two years Seuss didn’t stop drawing his odd political gems.
Seuss eventually put down his pencil and accepted a commission in U.S. Army. He w orked with director Frank Capra making propaganda films three years before returning to civilian life in 1946. His toons, however, were his greatest propaganda. In them he picked on isolationists such as Charles Lindbergh and depicted Axis tyrants with deadly whimsy, rarely holding anything back. In the following excerpt, the subject matter may surprise, but the one-of-a-kind Seussian style of zany characters is readily apparent.
OCTOBER 5, 1941
Two months before Pearl
Harbor came the hilarious
“I was Weak and RunDown.” On a May
1941 PM cover, Dr. Seuss
drew “Uncle Sam”talking
at full steam—talking and
not doing. Note
how long the eagle's neck
is, how conveniently his
wings become hands with
thumbs he can twiddle,
and how happy he appears.
MARCH 20, 1942
In “You Can’t Build a
Substantial V Out of ” it is “Dawdling
Producers” who are turties.
Almost all the turtles
look happy or at least
complacent, but Dr. Seuss
clearly was not. This V of
turtles prefigures the
much higher tower of
turtles that after the war
leads to the downfall of
Yertle, king of the turtles,
in Yertle the Turtle and Other Stories (1958).
DECEMBER 25, 1942
In a Christmas Day
cartoon, a man peeks out
from a shelter after the
cyclone of war has passed;
the title, ”With a Whole
World to Rebuild...” underscores the pettiness
of the shelter-dweller, who
thinks only of patching up
his fence, labeled “ISOLATION.”
DECEMBER 22, 1941
Italy declared war on the United States on
December 10, 1941, in tandem with Germany,
Japan’s other Axis partner. The United
States reciprocated on December 11.
Later that month, when Dr. Seuss
drew “Bundles for Benito,” the basic
elements of his Mussolini were already in place:
huge underslung jaw, five o’clock shadow, split
upper lip, excess poundage. In this cartoon
there are crossed bandages on Mussolini’s
bared hip; in later cartoons the bandages
migrate to the side of Mussolini’s head.
MAY 20, 1941
France posed cartooning challenges somewhat
different from those presented by Hitler’s Axis
partners. In 1941 the northern half of France
was occupied by the Germans; the southern
half was in theory independent under a government
located at Vichy. An early cartoon
shows Hitler picking the pocket of a thoroughly
befuddled Philippe Petain. The French
leader wears his marshal’s cap and uniform
from World War I. Petain looks skyward toward
Hitler’s Sieg Heil salute, but the saluting
arm is a prop, and Hitler’s real right hand
reaches out to relieve Petain of his watch.
APRIL 3, 1942
Here Hitler dwarfs normal
people in one of the truly
memorable cartoons of the
war. The cartoon epitomizes
the essential relationship
between totalitarian
dictator and subject and,
indeed, the creation of a
new race of slaves.
DECEMBER 22, 1942
Just before Christmas,
three enchanting reindeer
addressed the reader: “Maybe it’s none of our
business... but how much
are YOU giving this
Christmas in U. S. War
Bonds and Stamps?”
Captions reprinted from Dr. Seuss Goes to War by Richard Mine&r (published 1999 by The New Press. New York City, m cooperation with the Dr. Seuss Collection at the University of California at San Diego) with permission of the author.