Table of Contents
PICTURING DARTMOUTH
June 1999 Vol. 91 No. 9
14 RECORDS OF OUR PRESENT
Photographs create a culture's self-image. By Tom Bentkowski
18 DEMOLISHED DARTMOUTH
After the rubble is cleared only the pictures remain
24ACTUAL DARTMOUTH STUDENTS
Forty faces as they really are. By Joe Mehling '69
26 COVER STORY
As WE SEE IT
African-American alumni tell their stories of College life By Julian Okwu '87
34 OFFICE HOURS
A photo essay reveals that a prof's office is more than a place to work By Joe Meblirtg '69
40 How TO READ A PHOTOGRAPH
The camera may not lie. But what you see may not be true By Andy Grundberg
44 DARTMOUTH STUDENTS SHOOT THEMSELVES
Armed with cameras and a 24-hour deadline, a photo class snaps its way to a collective self-portrait.
46 PORTRAITS OF THE HEART
Timeless campus scenes frame our memories and our dreams. By Judson D. Hale '55
50 JOHN BROWN'S PHOTOGRAPHER
The tale behind a long-lost daguerreotype. By Lee Micbaelides
52 WORKING WITH THE GREAT ONES
What does it takes to be a top photojournalist? An editor contemplates the careers of Heinz Kluetmeier '65 and James Nachtwey 70. By Robert Sullivan '75
58 SMILE
A Kodak moment in Green. By Joe Mehling '69
60 CLASS NOTES
Class secretaries open the family album.
94 OBITUARIES
104 IMAGE MAKERS
Dartmouth's iconography was no accident. It was developed on film. COVER PHOTOGRAPH BY MICHAEL WOOLSEY
